“Lotus Emira, London 2024” by Jeremy C Glover
I’m primarily a street photographer, so over the years, my eye has become tuned to spotting great lighting situations and
An Informed Introduction – Review of “Central Park People” by Harvey Kopel
Photobooks can have a variety of intentions. They can be inquisitions, investigations, interrogations of difficult circumstances. They can be matter-of-fact
FRAMES Photography Podcast with Nicolas Castermans
In today’s episode, W. Scott Olsen talks to Nicolas Castermans, a French travel and documentary photographer who has traveled extensively for
“Fenced” by Louis McCullagh
This photo was taken in Spain just after I left a Saul Leiter exhibition. Gaza is the world’s biggest concentration
FRAMES Magazine – Volume 17
We have just published the 17th printed edition of FRAMES. It is arriving at our subscribers as we speak. This
FRAMES Digital Companion – November 2024
We have just released the newest edition of FRAMES Digital Companion. All FRAMES Members can now download it from the
FOOD FOR THOUGHT: “In the Mind of Animals: The Meditations of Alice Zilberberg”, by Sean Patrick Hill
There is a passage by the poet Gary Snyder that has stuck with me for many years, where he suggests
Too Young – Review of “A Poor Imitation of Death” by Ara Oshagan
One of the defining powers of photography is revelation. Hold a mirror, a camera, up to ourselves, and we see
“Emma” by Anne Helene Gjelstad
I took this image in September 2016 during a two-day portrait workshop I held in my studio just outside of
FRAMES Photography Podcast with Robin Hill
In today’s episode, W. Scott Olsen talks to Robin Hill, a Miami and New York-based photographer who straddles the boundaries between
FOOD FOR THOUGHT: “The Disposable Camera Project”, by Tim Vetter
It’s a strange experience to be the first to see someone else’s film. This is a certain voyeurism usually only
Love, Admiration, Affection, Attentiveness, Care – Review of “Indian Rites: Signs of Devotion” by Paul Wakefield
I have been to India, but only once, more than a decade ago, and only for a few days. And
“Woman on Black Paper” by Peter Ortmann
She is from Ukraine and lives in a small apartment in Germany, next to the Belgian border. I can’t remember
Paris Photo 2024: A Grand Return to the Grand Palais with New Artistic Horizons and Pioneering Perspectives, by Silvia Ionna
The breathtaking view from the Grand Palais Éphémère directly overlooking the Champs de Mars, as the location for Paris Photo
“Erwin Olaf – Stages”, by John Belknap
White and cerulean tiles color a laundromat’s floor. Faded posters litter its smudged walls, each advertising off-brand soap flakes and