I enjoy exploring long-exposure techniques in my photography and became inspired by other photographers that were using Intentional Camera Movement (ICM). This method is a way to transform the subject or scene by incorporating movement at the moment the picture is taken.
To do so, the photographer would adjust the exposure system so that they are able to use a slow shutter speed. How slow? It depends on how much of the effect you want and how much light is available. I like to stay between a ¼ and 1 ½ seconds for my shutter speed setting. Slowing down the shutter speed allows the photographer to use a controlled camera shake to blur the image.
The most successful ICM photography are images that still adhere to all the formal rules of a good photograph, such as there is a clear subject, well composed, good use of color or monochrome tones, etc.
While teaching at a local art school, I wanted to try out a new neutral density filter. I enjoy using long-exposure techniques as a creative tool for some of my work. Specifically, intentional camera movement so with the filter on the lens, I walked to the edge of the lake behind the property looking for the right subject matter to photograph.
I like using subjects that have a strong graphic element, I find that a powerful line or color can ground an image that becomes blurred and abstracted through the process of moving the camera when the shutter is still open. I noticed the foliage by the lake and took five pictures. Framing the southern sawgrass vertically and then horizontally. This was my favorite out of the five.
What do you think are the TWO most impactful features that make your image a good photograph? Don’t be shy!
For me the color and the softness are the most impactful features of Southern Sawgrass. The softness is one of the reasons I enjoy exploring ICM techniques in photography.
If you would be able to make this photo once again, what would be the ONE thing you would like to do better or different?
If I could make this photograph again, I would like to get some of the ground in the image. I find an important aspect of this type of photography, is to ground your subject somewhere in the scene. The image works without the ground because there happens to be a dark shadow area at the base of the plant; however without that the image would not be as successful.
Sherri Bunye shared her photograph in the FRAMES Facebook Group.
Photographer
Sherri Bunye, U.S.
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Equipment and Settings
Nikon D800 + Nikkor 50mm f/1.4 G
1/4 sec., f/16, ISO 50
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Lori
May 8, 2020 at 14:55
I really like this image. I have been experimenting with this ICM technique, its actually not easy. But the results can be so surprising. Good work. I checked out your portfolio! Excellent photography!