Magnum photographer Harry Gruyaert’s work has always been thrilling in the way it articulates a particular way of seeing. He has

I often wish I could talk to photographers. I have the good fortune to interview a great many of them,

Let me begin with a thought experiment. I sometimes ask my students, my first-year college students, to pretend they are

I will admit my first impression of David Yarrow’s new book, Storytelling, was not a good one. This book is

It takes a bit of magic to transform a photo book into a classic. This bit of magic has little

Ok, now I’m confused. I have learned, according to a quick Google search, a person who studies or practices geometry

Think, for a moment, about the location of a shared experience for our imagination and desire. It could be a

One of the particular, and sometimes peculiar, powers of a photobook is its ability to call up the past with

One of the benefits of being a prolific photographer is that there is a lot to choose from when putting

It is relatively commonplace for a collection of photographs to have an historical intent.  We are accustomed to looking at

Coney Island is one of the bedrocks of American mythology. It does not matter if you’ve never been there. If you are

I will admit to a special fondness for the documentary photobook. More deeply than most photojournalism, these books are often

Legends are peculiar things. By definition, they are acts of storytelling. They are acts of memory, too, though the facts

If photobooks can capture and define a movement, then the 1984 book, Subway Art, co-authored by Henry Chalfant and Martha

We have all seen these pictures go by. Sometimes on social media, sometimes in magazines, an image comes up that