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FRAMES Photography Podcast with Jason Houston

In today’s episode, W. Scott Olsen talks to Jason Houston, photographer, and filmmaker who explores how we live on the planet and with each other through community, culture, and human experience.

You can listen to this interview using our podcast player below, but we strongly encourage you to subscribe to the podcast in your podcast app so that you don’t miss any future show episodes.

Through his work, Jason is committed to art and action that seeks to deconstruct colonial worldviews and dismantle white supremacy culture.

He works closely and collaboratively with the people he photographs and films—including using various socially engaged methods—to produce stories that bring to life authentic narratives that recognize authorship and sovereignty in communities, engage supporters, decision-makers, and the public, and inform conversations toward positive social and environmental change.

From LAST WILDEST PLACE © Jason Houston
From LAST WILDEST PLACE © Jason Houston
Jason reviews image selections with photographers during a STORY COLLABORATIVE (participatory photography) workshop in Nama Pan Village in the Nyae-Nyae Conservation Concession area near Tsumkwe, Namibia.
The community gathers for the final presentation by STORY COLLABORATIVE photographers in Nama Pan Village in the Nyae-Nyae Conservation Concession area near Tsumkwe, Namibia.
New Work in Progress

WHAT IS FOUND THERE is a process-based project dynamically revealing new interpretations of Jason’s professional photography by considering it outside of an issue-driven, journalistic framework and combining it with images from a private “photo journal” reflecting personal experiences and daily observations over the same 20 years. The collages intuitively combine images made at different times, in different places, and with different intentions. Each polyptych allows the viewer newly-discovered insights and the opportunity to find their own truths independent of the expectations of why an image was made or what it should mean.

As proof of concept, Jason worked closely with Dewi Sungai, his life+creative partner, and others in his arts and creative community to explore how an exhibition audience might engage in trying to understand and make sense of recontextualized images and intuitive collages.
Each collage is built from photographs mounted on wood blocks of different dimensions and depths, covered in acrylic gels and paint, varnished, and assembled into three-dimensional objects. These works are not meant to be evidence, explanatory, juxtaposition, or to provide specific answers. They invite the viewer to make sense of it for themselves by considering their observations in the context of their own experiences and biases— to understand their story in the stories of others as they surface truths about themselves, their place in the world beyond themselves, and the interconnectedness of human experience.

JASON HOUSTON

WEBSITE 1 / WEBSITE 2
INSTAGRAM

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