
LOOK CLOSER: Raghubir Singh and the Image of India
Rob Wilson examines the work and legacy of Raghubir Singh. When one thinks of colour images of India, I imagine

“Garreg Ddu Reservoir” by John Starkey
The Elan Valley reservoirs are a chain of man-made bodies of water created from damming the Rivers Elan and Claerwen

The Force of the Missing – review of “Silent Cities” by Mat Hennek
Mat Hennek – Silent Citiespublished by Steidl, 2020review by W. Scott Olsen I shouldn’t be surprised. Great photography, like great

“Soul” by Massimo Alloi
I like walking. And above all, I like walking in the snow. Especially during or immediately after a good snowfall.

“Liwa Desert, Abu Dhabi” by Rob Wilson
During my near fifty years, I have been privileged enough to have lived and travelled all over the world. I

FRAMES Podcast with Chris Rose
On the latest episode of the FRAMES Photography Podcast W. Scott Olsen is talking to Chris Rose, one of the

“Masquerading in the Aspens” by Michael Jantzen
This photo is part of a large series called, Masquerading Animals. Masquerading Animals is a series of photomontages partially made

“Hidden Reality 2” by Boudewijn Swanenburg
This image confronts the viewer with the emotions of his own imagination. My photographic process is fueled by my fascination

“The Boy With The Blue Board” by Steve Allsopp
I live in gorgeous area of South West Queensland, just a few minutes from the holiday mecca that is Noosa.

“The Blue Jacket” by Daniel Castonguay
My series “Quotidian life” is all about simple urban scenes. If we dwell on it a little, we notice that

FRAMES Podcast with Beowulf Sheehan
On the latest episode of the FRAMES Photography Podcast W. Scott Olsen is talking to Beowulf Sheehan, New York-based portrait

“Siblings in a Dinka Cattle Camp” by Trevor Cole
Children of a Dinka cattle camp, Bor, South Sudan. The cattle camps, seldom visited by outsiders, are quite simply incredible.

“Quebec Province” by Mark Indig
I started in film production in 1972. Most of my early jobs were scouting and managing locations. So my self

“ERos #12” by Didier Villette
I am a plastic photographer, who has been developing a research activity for many years, around form and colors, with

“Southern Sawgrass” by Sherri Bunye
I enjoy exploring long-exposure techniques in my photography and became inspired by other photographers that were using Intentional Camera Movement