There are a thousand ways to judge a photobook: technical sophistication, artistic accomplishment, social relevance, and so on. Those are all

There is a quote in Tim O’Brien’s book The Things They Carried I find myself remembering often. He writes: “The truths

Here is a question: How do you explain the ineffable? How do you explain what is present – oftentimes right

When we tell the stories of our lives, to others or to ourselves, we tend to land on events. Here

I love radio. Perhaps because radio seems to come from nowhere, or everywhere, the act of listening, for me at

I would be surprised if every photographer did not share one common dream – to go someplace, someplace unfamiliar, perhaps

It seemed good at the time.  In the 1990s, New York City nightclubs defined energy, culture remade by boundary-exploding innovation. 

I know what’s going to happen. This book is going to sit on your coffee table. There will be a moment

There is a moment I love.  Imagine a dance teacher counting five, six, seven, eight. Just before the next one, the

Here is a proposition: Memory demands the present. At one level this is obvious. Memory, by definition, resides in the previous,

There should be a word somewhere between evocative and provocative.  To evoke is to cause memory. To provoke is to cause

Let me admit to a bias. I love street photography. I love the spontaneity, the serendipity, the flash of opportunity and the

There is something wonderful about repetition and difference, the familiarity and depth of one, the freshness and serendipity of the

One of the great joys of curiosity is the way it is so easily shared.  No, perhaps that’s wrong. Shared

How do you photograph an idea, a talent, a critique or a hope? It’s a particular problem for portraiture. We